The Butterflies Have Invaded

22 Apr

Turbulence: Watercolor + Magic

First in a series of geometric watercolour paintings using an industrial robot arm, put together by Dr. Woohoo - video embedded below:

This is the first experiment by Dr. Woohoo in a series that explores the relationship between a robot + a artist with the objective of enhancing what is creatively possible by combining the strengths of each, while using watercolors as the natural media.

Music: Kid Koala

22 Apr

tylerchokely:

shaquille, don’t feel

(Source: shaqinfrozen)

21 Apr fuck-bitches-get-bacon:

no matter how sad I am this never fails to make me laugh

fuck-bitches-get-bacon:

no matter how sad I am this never fails to make me laugh

21 Apr

(Source: orioles)

20 Apr

bobbycaputo:

Sir Ian McKellen and Sir Patrick Stewart Act Like NYC Tourists

20 Apr

reverseracism:

An accurate depiction of the events that transpired during the colonization of the United States of America

(Source: iloveyoulikekanyeloveskanye)

19 Apr
19 Apr brightwalldarkroom:

"The Before films have gathered many accolades—all of which they deserve, some of which are credited to the writing. The “realism” of the dialogue is so vivid, so intimately touching to us that we wonder if it’s improvisation (no; all three are completely scripted) or the actors/co-writers playing themselves (maybe a little bit). I keep thinking about this realism as a Linklater Reality—the idyllic, topmost layer of reality as we know it. Sampled from life. Skimmed, curated. The best of the best and the worst. It’s hard not to make it exemplary. When I watch Celine and Jesse together, a little creature mewls in my chest. It’s the heart’s lament: Could it be this easy? Is the only thing we need presence, and attention? And worse—will I not see the beauty in these days, until the light is gone?
“You feel far away,” I’d whisper on the phone sometimes, hesitating to release the words into the universe.
“You feel like you’re next to me,” he’d reply. But when he said my name, it felt like an apology.
—Tracey Wan, “After Midnight” (Issue #9)
(read the entire essay for free here)

brightwalldarkroom:

"The Before films have gathered many accolades—all of which they deserve, some of which are credited to the writing. The “realism” of the dialogue is so vivid, so intimately touching to us that we wonder if it’s improvisation (no; all three are completely scripted) or the actors/co-writers playing themselves (maybe a little bit). I keep thinking about this realism as a Linklater Reality—the idyllic, topmost layer of reality as we know it. Sampled from life. Skimmed, curated. The best of the best and the worst. It’s hard not to make it exemplary. When I watch Celine and Jesse together, a little creature mewls in my chest. It’s the heart’s lament: Could it be this easy? Is the only thing we need presence, and attention? And worse—will I not see the beauty in these days, until the light is gone?

“You feel far away,” I’d whisper on the phone sometimes, hesitating to release the words into the universe.

“You feel like you’re next to me,” he’d reply. But when he said my name, it felt like an apology.


—Tracey Wan, “After Midnight” (Issue #9)

(read the entire essay for free here)

18 Apr natgeofound:

Embracing the fjord, a dusk-dimmed Bergen laps against mountain walls, Norway, 1971Photograph by George F. Mobley, National Geographic

natgeofound:

Embracing the fjord, a dusk-dimmed Bergen laps against mountain walls, Norway, 1971Photograph by George F. Mobley, National Geographic

18 Apr

pushing daisies + ned and chuck making it work (requested by wyndamwesley)

(Source: elijahwood)